Journey Of A Novel

1st Draft

Goodbye chapter two

I finished the first draft of chapter two. It’s done, I sent it to my reader, it’s shorter than I intended at 3700 words or so but to write anymore would have been unnecessary. The story rolled on giving me the sensation of it writing itself which is an expression that I’ve heard but never experienced firsthand. Next I want to dive into chapter three. Most of chapter three is clear in my head but I do need to tidy up some details with reading and research before I get lost in the words. Chapter three will introduce another new character, and like chapter two will also be fresh writing with nothing previously written towards it. Whether it flows as easily as chapter two remains to be seen, if it happens though I welcome the happy buzz that I’ve gotten from polishing off chapter two’s first draft.

Finishing chapter two so quickly has surprised me, but I have had more time to focus because I’ve had my internet off for most of the week. Every time that I used the internet in the past week, I intentionally turned it on then turned it off when I was done, and I’ve had more headspace and focus because of this.

The research that I’ve done this week required internet, also posting and reading latest posts of accounts that I follow on wordpress were internet sessions, along with emailing. That’s it though, no social media, no time guzzling youtube watching frenzies, and no rabbit holes of random information. The internet for the last week has been a tool for information and communication and nothing else. My imagination has become my entertainment. I’ve had breaks in my time too with old movies that I have on file, I’ve seen all of the films I have many times before which makes them the equivalent of a battered favourite childhood book. I’m bored of them very quickly and tend to only watch parts of those films. My only other distractions have been tending my small garden and walks in the park. Thinking through my story at times I’ve also inexplicably found myself cleaning my drains and sorting my sock drawer; mundane tasks help me when I have a mind full of thoughts. Life isn’t always this way for me, but I have less distractions from the outside world right now, the only distractions at hand come with scrolling online so I put a stop to it.

The result has been surprising. I don’t know if it’s realistic to give full credit to less internet being the biggest motivator, but it has certainly made a difference to me. I tend to spend a lot of time online looking for information of all sorts – I’m a self-confessed information junky for better or worse. In structure freedom can be found, this is a regular reminder that I give myself. It may not work for everyone but for me it certainly helps me to have limits to work freely within.

On a roll

3000 words in two days, I think that I’m on a roll! My aim is for 5000 words per chapter, so in two days I’ve written over half of the first draft of chapter two.

I’ve been getting to know my protagonist as they begin their journey. The sketchy ideas I had in mind are gaining clarity with each word that I write. I focused on one key question – who are any of us without other people?

There’s only so far that any one person can go alone before limitations and lack of perception stand in their way. That’s the pivotal point that I’ve addressed in chapter two. My protagonist has gone into the world not knowing anyone, not knowing their way or their options. My protagonist is alone for the first time but all the while coming to terms with the fact that they always have been alone.

The main idea addressed throughout chapter two is trust; trust in others which denotes self-trust. Without the world at large and other people the exploration of trust would be a hard idea to demonstrate. The happenings in this chapter serve to provide some inner direction as well as outer direction within the world for my protagonist to carry forward as they discover the unknown.

Traditional stories are rich with archetypes that serve as markers on the journey through life, and with chapter two I’ve begun to work in the first of the archetypal characters from the folklore tale. Based on my recent research into the tale that is at the heart of my novel I have decided to write in this character. Getting to know this character has been enlightening in that a new perspective on my protagonist has been revealed to me. I’ve established depth that I had wanted to work in but hadn’t before perceived how to do that. Part of what is working for me here as that this character doesn’t have a lot to say and doesn’t do a whole lot, yet they make a big impression upon my protagonist by giving them a reason to trust. Writing this character has become about what they don’t say, what little they do say, and of course what they do; this new character serves to bring to light what my protagonist was previously unable to perceive from their sheltered existence.

Along with creating momentum for my process I’ve also gotten into a rhythm of saving and backing up which I was slipping at previously. Things are travelling along well at present, and ideally this will be the working model that I will take with me into the future. Of course I wouldn’t have arrived here without time to reflect on how to move forward so I’m mindful of the ebb and flow that makes up the creative process.

Chapter two begins

The groundwork has been established for chapter two, my protagonist is in forward motion and things are happening in my fictional world. It was difficult to get going, I did dither.

For the past week I’ve been shuffling through the chronology of my story in my head disagreeing with my decisions, disputing myself, and trying not to have reason-based conversations with myself out loud so I don’t appear cra cra… I was repeatedly cycling over points contemplating on how to best proceed with different scenarios in mind. I went back to the beginning in the end which helped me to reassess why I had made the choices about the narrative that I had long ago. This was all helpful, but gradually my process descended into a procrastination exercise.

Recognising this I came at it from a different angle and launched into research of the original folklore tale that I am using as the bones of the novel; this was very helpful. I was able to step out of my head and get off the merry-go-round of maybes that was plaguing my progress. I still have some more reading to do to solidify the direction that I’ve chosen to go in, but I was inspired to write before I could complete all of the reading that I’d assigned myself.

It felt so good to get back to writing.

Reading the research in parts is a more practical approach for me as it keeps the information fresh in my head. I find that when I do large amounts of research, I lose detail. To remedy this I keep notes in my chapter document to include certain points, I bullet point them below where I am writing and work them in as I progress. Over the years I have read lots about my chosen folklore tale so I’m familiar with most versions of it from different times and civilisations, but I’m less familiar with the version referenced in chapter two. New ground is being broken in terms of how I view my novel; for so long I thought that I knew what it would be but now I’m mixing it up and feeling good about it.

The decision that I made about my narrative and what will happen in chapter two requires a lot of new writing. The writing that I have done over the years towards my novel worked for a lot of chapter one’s content, and will for many subsequent chapters, but chapter two is all new. I’m excited to be writing fresh again, reworking past work into chapter one became tedious at times so it feels good to have a break from that approach for chapter two.

Into the unknown

What will happen next? No matter what I’m doing my story remains present in my mind like a demanding child pestering me for attention asking what next, or which way. I’ve hesitated at starting on chapter two, I had to revisit the structure of the chapters that I’d laid out before I began the first draft of chapter one. The direction that chapter one took me in with the narrative structure has caused me to now go back and consider reshuffling the order of some of the chapters.

All of this is consuming my thoughts, I want to get back to writing.

My progress has been reading and research, the writing flow has halted making me feel stuck. The irony of being fixed on a point that requires choice about the direction that I’ll take isn’t lost on me, I’m causing my protagonist to wait in the same manner. My protagonist has more than one transitional period in the novel that takes them through an introspective period of change. To write through these turning points in the narrative I can interchangeably use different sections that I’ve fleshed out in reference to the different versions of the tale that my story is based on. I want these mythical foundations to serve to highlight the human experience, I want to take the fantastical and make it an everyday experience.

Regardless of the choice that I make to move forward into the narrative I will be moving into the unknown as much as my protagonist on their journey. I’ve been digesting this and doing my best to integrate my human response into the humanity that I’m trying to capture. It’s scary going into the unknown whether it’s a physical place or not.

To confirm my decision I’ve been re-reading the folklore that I’ve used as the bones for my story, I want to keep doing this at the beginning of each chapter to capture the same over all feel in all of the chapters.

Re-reading, thinking, being with the story to give it time to gestate; all of this has broken the rhythm that I established with writing chapter one. I miss being in the middle of writing, I want to be back in the thick of words that I need to get out because I know what’s happening next. When I tried to dive in and just get to writing though it was a frustrating exercise that left me confused. Taking the time to understand where I’m headed is essential for me to progress, I need the clarity. Learning to enjoy the respite is part of my creative process that I have to learn to embrace.

Tense about tense

I’ve managed to delete about 500 words to bring the chapter one word count below 5,000 words. It feels good to have done it, it was easier to delete words than I thought it would be and it highlighted the story by removing what served only as fluff. Reading through to cull words and sentences as a task though is a challenging exercise because it’s difficult to be mindful of the flow at the same time. There are sections that need more attention regarding the flow of the story. Less is more is a great rule that serves to bring what’s important into the foreground. I want the story to speak to the imagination and carry the reader along effortlessly. Whether I can do this or not will be in the reading of it by another which is the next step when I put this first draft of chapter one aside.

Time has been eaten away so easily when I read back through my work. It was a worthwhile exercise; I have rewritten some sentences to better convey the story and without these read-throughs I wouldn’t have managed to do that.

There are so many things that I could continue to fuss over that would keep my attention fixed on chapter one for another week to a month. There is character, symbolism, doubling up of language, and the tense. The tense has been doing my head in. The story passes through a large stretch of time already. The whole story is told in the past, and it begins in the past, but steps into focused points of time for some parts, which are still in the past, but more immediate… So many pasts in one story. This shifting of time does serve the purpose of relaying a time lost, a questionable time, a timelessness that is part of this tale. Keeping track of the tenses has made me tense in real time, it eats up a lot of my focus.

For now I’m more interested in getting the story onto the page than making it perfect. Chapter one is ready for some fresh eyes to read it, so I’ll pass it onto a friend who has volunteered to read for me. I’m very lucky to have had this offer, I only expect to get another’s insight and feedback. If feedback includes editing, tense and/or story notes then that is even more of a bonus for me. Really, whatever my friend wants to contribute re: reading I’m grateful for their input. A new perspective on my work will be very welcome.

I’m ready to move on to chapter two.

Too many words

I’ve sifted through all of the sections that I had in my chapter one file, edited them in together and created a flow of narrative with them.

The feel of it is makeshift at best but it serves its purpose to take the fragments of story that I’ve been writing and bring them together as one. If a simile could be applied, it would be like a broken vase hastily glued together to resemble the vase it once was. I can see the shape more clearly now of the story that I’ve only had glimpses of in my mind for so long. It has surprised me how much of the story I hadn’t included when I’d written in fits and starts because it makes sense to me to write the narrative in the way that I am now.

My aim has been to make each chapter a tidy 5000 words. I’m currently over 5000 words and haven’t finished the chapter. I’ve written all the way to the end of the chapter but provided no segue to the next chapter so I have some more to write before I can leave chapter one behind. With all of this in mind I think that my word count will be closer to 6000 words, I am expecting to edit heavily when I do a serious second draft though.

There are points of the narrative that I am still circling over in the plot where I have written more than I need to. Working through story points has left me feeling dizzy at times dodging back and forth through the words and having little ability to clearly address too many words when my focus has been locked onto how the narrative reads as a flowing story. I will cull some of these points of the story that stand out to me as too much before I move onto chapter two. It feels right to go back and address these areas, I am hesitant though because I love words, there are too many words for this reason. I’ve over-written some of these parts also because I am creating a turning point in the story, or a crucial moment of some type, something that I want to be significant where lots of words seemingly give the story a physical weight on the page.

With chapter two well in sight I’m mindful of not rushing into it, I want to be able to read and digest the work that I have done on chapter one. I want chapter one to be the most progress made on my WIP with clear insights into what I have done and what I have created to work in regard to the whole novel.

Making progress

It’s turned out to be really fun writing today taking an adventure back through ground already covered. I had the sensation of reminiscing through an old photo album with memories coming alive and new insights with what I know now. I covered a lot of ground connecting words written at different times in different places from prompts over the years. The outcome was good, the work I’ve put in previously is useful and I’m pleased. When I read back over this writing in the past the disconnection between pieces had bothered me, I wondered if I wasted a lot of time on words that don’t matter. The tone is different in some parts, others have a different narrative POV, some was written in a different tense. Over the years I’ve written whatever I felt like writing at the time, or with whatever method I was teaching for the session with no regard for the larger piece coming together. Of course I can’t use all these as they were written but I have been surprised how I can marry together words written in very different pieces.

Restructuring sections into new writing creates a depth that I would’ve had to contemplate for longer if writing only fresh words now. There are parts that I had forgotten that I’d written and other parts that I’d written more than once, which provide a variety of perspectives on scenes, reactions, motivations and story.

The word count for the chapter one document is nearly 10,000 words. I’m depositing sections of writing at the end of the document by copying and pasting them their as I pick through and scavenge from my past work. Some parts I’ve already flagged to consider for other chapters because they work better with the development that I’ve done this past month restructuring the narrative. Other parts I’ve slotted at the end because I have taken what I need, I’m just keeping them there in case I have use for them while I work on the chapter. The writing to keep as chapter one is nearing 5,000 words which is too many, more words will have to be culled before I can move on beyond chapter one.

There’s a real sense of being on the home stretch for this chapter, what that means in terms of how many days, I don’t know. What I do know is that the end is in sight for chapter one – first draft. Chapter two is on my mind. The focus remains on chapter one though, I’m only allowing details of chapter two to creep into my mind with regards to where I am going to connect the chapters together.

Notes from an idealist

Well today has been a real test for my focus and progress. I’ve had good news and bad which has distracted me in ways that I found difficult to navigate. Life demanded my attention and time just when I had committed to getting down to some writing. The decision to write today was difficult because yesterday gave me a preview of the day I had today in some respects, I was already distracted, then more happened. Writing about real world obstacles here is unavoidable if I am to authentically document my creative process, because the real world can and does get in the way of anything and everything, not only the task of writing.

I had to take a different approach to my process without the luxury of a block of time. For an hour early in the day I wrote around a piece written a while ago anchoring it into the sea of words that I am accumulating. Then life happened. Later I returned to copy and paste sections into place to edit in when my focus was better, continuing from there tomorrow is the plan.

What I did complete was worth the effort, I did enough work to make progress. It’s the attention to my work that’s bothering me. I didn’t feel present, I didn’t give the best of me, my head and my heart were elsewhere. This is the learning for me in all of this – how to find balance and how to apply structure to my process. I have done that somewhat so I should feel good about it, but I find myself sighing a lot, that ‘want it, but can’t have it’ sigh of the unattainable.

One conclusion that I have made from the past couple of days is that navigating two worlds, between my writing and the everyday, will continue to bring up this problem of distraction despite my best efforts and planning. It’s not so much that my time was taken up, that’s part of life, I’m bothered by the fact that I lost my rhythm for the flow. The rush has dimmed and I want it back, but I have to get real and accept that with balance and structure it will return as surely as it will leave again at points in the future.

Telling the tale and showing the story

I’ve spent time blending showing and telling to bring together the tale and the story. The tale being the telling, somewhat like a fairy tale but more as an idea than stylistically. The showing highlights parts of the tale bringing the story to life and shining a spotlight on the working parts of the narrative where things shift and change.

The piece covers a lot of time but the folklore tale that I’m referencing doesn’t specify over what amount of time things took place so I’m inclined to do the same which is why I am dabbling with showing in much the same way. Also the folklore tale exists in prehistory, in more than one culture and time so there’s more than one telling of it. I’m working this in as well by integrating the tales into one narrative by stitching together the parts in such a way that it suits me. Referencing stories told by different peoples makes for an interesting exercise in establishing motives with more fodder to play with to stitch it all into one tale, even without this I would have been guessing at motivation.

Over the past couple of days I created a bridging section to bring my protagonist closer to the next stage of the story. I still have some events to write before moving on, but I needed to create access to this with character and story development. Some of the parts that I’d written previously were stand alone leaving them disjointed within the narrative. It took some time to think through the connecting section to make it all one story but a bit of story tetris can be fun.

Taking my time to develop and write this is giving me the sensation of visiting a place. When I visit places in the real world I get all of my everyday obligations out of the way and make sure that I’m ready to depart, and it’s become the same for my writing. I have a destination, I know where I’m going, I just don’t necessarily know every little thing that will happen when I get there – I have to be present and open to the experience to get the most out of it.

To help my mind wander into the realms of imagination I’m finding it helpful to wander in reality to a degree. Every other day I’m going for a long walk taking the same path each time and letting my mind be free to the experience of just being. Seeing people, watching birds and the sky, hearing the world about me, and feeling the wind on my face. All of it helps me to consider the place that I’m visiting in my imagination as a real-world experience with the elements and the activation on my senses fresh in my mind.

Keeping an eye on the wordcount

The working model of my novel is broken into nine chapters that I plan to make approximately 5000 words each. This may change as I progress, but I like the breakdown of story parts and piecing together of the protagonist’s journey into the sections that I’ve mapped so far. Writing the first chapter is slow progress with the establishment of so many things that will carry through until the end of the novel. If I get this right it will give my work substance and allow for the characters that have depth and dimension. If I get this right I will craft a story that I’m happy with. I want to write something that other people will enjoy but bottom line – I want to be happy with it.

The research that I’m working in to lay the foundations for the overarching story has caused me to go back and write in some more where I had moved on from last week. Again I have cut and pasted, re-written and shuffled around the order of paragraphs. Another thing that I’ve done quite a bit of is take sentences from paragraphs and put them elsewhere to give another paragraph more connection to the story-line. I’m starting to like this process and flag parts in my mind as I write in new sections that at times don’t quite fit yet. Going back I often find that I have found the perfect spot for parts that I wasn’t certain of moving from where I had created them in the story-line, and it works well.

I’ve written 2800 words that I’m happy to keep for now, the document has 6500 words, so there’s quite a few words there that I haven’t factored in yet. About 2000 of those words are at the end of the document waiting patiently for me to reach that part of the chapter. I keep writing more so I’m trying to be mindful of not rewriting from scratch because I do have material to work with. It’s tempting to get swept away with writing, but the words that I already have written serve as a good reference for where I’m at and where I’m going.